i.
This dream
of freestanding pine
and wolverine
tracks a field
in white
spring by cabinlight
this
opening through which you
mark your
hunger
a skirt of dogs
following indecipherable human
my smell
is tenderness to them
my name an
opening
follow the river now
crossable by
boat the river
where I first
learned the word boat
it was here I
saw the sun
complaining in
a glass
where I
watched you train your dogs
to urinate in
circles
come
follow the too-slow river boatless now and deep the river
yes
ii.
wet-footed
through the shivering
nightfield who controls the path
two masts and a
question cracking
my teeth who’s there
hello
I saw the sky
for a moment / How
unbeautiful the too-slow river
how
indecipherable its bank your face
lights up like the red weather
of another
planet this question
hurts me
iii.
yes I knew
then for death
always waits
beside a river this one
has no
name except in spring
the blind
swimmer reaches the bank
flips over on
her back
this one knocking
on your window
hello
posing an
earnest question can you
hear me
Somewhere out
there is the wilderness
alone beside
the river it’s wolverine season
the red planet
in orbit
we know
nothing
Kasia van Schaik is a South African-born writer and critic
based in Tiohtià:ke/Montréal. She is the author of the chapbook, Sea Burial
Laws According to Country, and her writing and criticism have appeared in Electric
Literature, The Los Angeles Review of Books, Jacket2, The
Best Canadian Poetry Anthology (2015), CBC Books, and elsewhere. In 2020,
Kasia received the Mona Adilman Prize for poetry related to environmental
concerns. Find Kasia on twitter at @KasiaJuno
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